Kay Matschullat is an accomplished performing and media arts director, producer, educator, and founder whose work is dedicated to deconstructing barriers and exploring inventive collaborations. In 2013, Matschullat set her sights on driving innovation in performing arts through the intersection of technology and the arts by founding Scriptopia, the first software application for collaborative, online script development. After successfully launching Scriptopia, Matschullat secured funding for Media Art Xploration (MAX), a non-profit dedicated to the cultivation and presentation of performing and media arts with the goal of increasing artistic exploration and humanistic inquiry into the light-speed advances in science and technology. She most enjoys creating space for artists and scientists to change the world and to that end, she curated MAX 2019: A Space Festival.

 

Also in 2019 she produced  We Chose to Go to the Moon, two evenings at Carnegie Hall chronicling the Apollo mission to the moon with St. Luke’s Orchestra in collaboration with America In the Balance.

 

Directing credits include the classics Threepenny Opera, All’s Well That Ends Well, Skin of Our Teeth, and Love’s Labour’s Lost;  She has directed premier productions by renowned writers including former Czech Republic president and playwright Vaclav Havel (The Conspirators), Nobel Prize-winning Caribbean playwright Derek Walcott (To Die For Granada, Pantomime), Pulitzer Prize winner Ariel Dorfman (Widows), and Carson McCullers Talks About Love with Tony Award-winning composer Duncan Sheik and songwriter Suzanne Vega (nominated for a Drama Desk Award).

 

Matschullat founded the new play program at The Williamstown Theater Festival and InTheRaw at Red Bull Theater. A magna cum laude graduate of Harvard College and recipient of a Master of Arts degree from NYU, Matschullat’s awards include an NEA Directing Fellowship, a TCG Fellowship, a Rubin Foundation Production Grant, a Fulbright Senior Fellowship, and Harvard’s Rudolf Arnheim Award for Interdisciplinary Work. As an artist and educator, Matschullat served on NYU’s Tisch full-time faculty for over two decades, taught in Princeton University’s Theater and Dance program and has held artistic residencies at Dartmouth College, Harvard College, Calarts, SCAD, Duke University. She was a guest lecturer at Harvard College in 2019. 

Asia has been working in accounting for 18 years.  

Lingling Yang is a grant writer and development strategist and has worked as a consultant and producer for individual artists, non-profit art institutions, and in the private sector for over 8 years.  

Ryan Gedrich is a freelance producer and theater administrator. Most recently, he was the Advancement Director for the downtown new play incubator Clubbed Thumb, where he worked for over 6 years in various roles and was involved in the development of over 50 plays, including the Tony-award nominated What the Constitution Means to Me. He is also the Operations Manager for Immediate Medium. As both freelance producer and dramaturg, he has produced and developed work at the Public Theater’s Under The Radar festival, NYTW Next Door, the Tank, JACK, the Bushwick Starr, BRIC Arts Media, the Collapsable Hole, Dixon Place, University Settlement, the Lewis Center for the Arts, and the McCarter Theater; and has worked with artists including Tara Ahmadinejad/Piehole, Eliza Bent, Annie Tippe, Bailey Williams, Sarah Blush, Agnes Borinsky, Rinne Groff, and New Saloon, among others. B.A. Princeton University (Anthropology).

Mariam Suffrand is a bilingual, Kean University graduate with a BS in Business Public Management with a focus in media marketing. She participated in Kean University’s 2019 Research Day, presenting a collection of studies in pertinence to international business culture. 

Iryn Abigail Delim is a third-year student at NYU Tandon, with ample experience in digital design, graphic media, web development, and various software applications. With a passion for social advocacy and improving digital accessibility, Iryn aspires to implement her technical skills to public services throughout her career.

Hannah Jo is a multidisciplinary designer studying Integrated Design and Media at New York University. She explores the intersection of human-centered artistic and technological interaction through design, with experience in working with global art and production collectives.

While researching the Bay Area’s start-up culture for her upcoming comedy film on AI, Vero Bollow came to the conclusion that there should be a place for artists, scientists, and engineers to hang out, be curious and launch new ventures together, so she decided to found Stochastic Labs. Vero’s first feature film, The Wind and the Water, was nominated for the Grand Jury Prize at the Sundance Film Festival before playing to sold-out audiences at festivals worldwide and eventually breaking box office records in Panama, it’s country of production. A graduate of UC Berkeley, she holds master’s degrees from MIT and the Columbia School of Journalism. She is also the director of the Minerva Foundation.

Rachel Chanoff is the founder and director of THE OFFICE performing arts + film, her New York City-based programming, consulting, and production company. She is the Curator of Performing Arts and Film for the Massachusetts Museum of Contemporary Art (MASS MoCA), Director of Programming of the CenterSeries at the ’62 Center for Theater and Dance at Williams College, Consultant to the Feature Film and Theater Programs for the Sundance Institute and to the RAWI screenwriters lab in Jordan, Curator of The New York Jewish Film Festival and The Margaret Mead Film Festival, and the Artistic Director of the BRIC Celebrate Brooklyn! Festival. Rachel is proud to serve on the board of the 52nd Street Project and Working Films.

Dr. Sanjoy Som founded Blue Marble Space Institute of Science, a non-profit virtual research institute with an interdisciplinary approach to studying the relationship between Earth system science, space exploration, and the future of humanity. Dr. Som also serves as a research scientist at NASA Ames.

Jack Mostow is a Research Professor Emeritus of the Robotics Institute at Carnegie Mellon University. As of 2017 he leads the RoboTutor team (www.robotutor.org), a $1M Finalist in the Global Learning XPRIZE Competition. RoboTutor expands on prior work on Project LISTEN’s Reading Tutor, which listens to children read aloud, to teach writing and numeracy as well. RoboTutor offers exciting opportunities for interdisciplinary work in intelligent tutors, educational data mining, graphic design, speech technologies, cognitive and motivational psychology, human-computer interaction, computational linguistics, artificial intelligence, and machine learning.

Robert Cowan, MD, FAAN is Professor of Neurology and Chief of the Division of Headache Medicine at Stanford University. Prior to coming to Stanford he was ta senior clinical research scientist in molecular neurobiology at Huntington Medical Research Institutes (Pasadena, CA). Dr. Cowan attended University of Southern California, Keck Medical School, completed a residency program at USC Department of Neurology and served on faculty there until 2000. He is Board Certified in the areas of: Psychiatry and Neurology and Pain Medicine. He also holds subspecialty certification in Headache Medicine. Dr. Cowan is widely published in various scientific journals, including the Journal of the American Medical Association Cephalalgia, and Headache. He has authored book chapters lectures both nationally and internationally on a variety of headache topics, and has appeared on NBC, CBS and has been featured in articles ranging from the San Francisco Chronicle to Vogue Magazine. Dr. Cowan has held several nationally elected positions, including chair of the sections on Chronic Daily Headache and In-office Patient Education for the American Headache Society. He is immediate past President of the Headache Cooperative of the Pacific, is a fellow of the American Academy of Neurology and the American Headache Society. He is on the boards of the Alliance for Headache Diseases Advocacy, the Headache Cooperative of the Pacific, the American Headache and Migraine Association, and the American Council for Headache Education. He is a reviewer for several peer-reviewed journals, including Headache and Cephalalgia. He is an editor for Headache Currents. Dr. Cowan is the author of The Keeler Migraine Method (Penguin/Avery, 2008). Along with Dr. Alan Rapoport, Professor of Neurology at UCLA School of Medicine, Dr. Cowan co-founded BonTriage which develops computer-based tools to aid in the diagnosis, education, and care of people with chronic medical conditions. Dr. Cowan’s primary research nterest is the pathophysiology of chronic daily headache, utilizing functional imaging, body fluid analysis and deep phenotyping. He has been the recipient of NIH, foundation, industry and individual grants and gifts for his research.

Dr. Boston works in the fields of micro- and astro-biology, having pioneered collaboration between the two fields. She explores the deepest caves to find the microscopic clues to which planets could harbor recognizable life and detect the presence of such life. Dr. Penelope Boston plunged into the wonders of exobiology at a very young age. She grew up traveling the world with parents who were traveling performers, frequently delves into deep caves to do research, has worked with Dr. Carl Sagan on a project and serves on several scientific advisory panels with Dr. Frank Drake, A current professor at New Mexico Institute of Mining and Technology, author of over 150 publications, and co-founder of the National Cave and Karst Research Institute and organizer of multiple conferences, Dr. Boston has devoted her career to teaching and understanding overlapping scientific disciplines.

 Dr. Felipe Orduña Bustamante is a senior researcher of the Acoustics and Vibrations Group, ICAT-UNAM. He has a Bachelor’s Degree in Physics (UNAM, 1987), a Master’s and Doctorate in Sound and Vibrations (University of Southampton, England, 1990 and 1995). He works on acoustic instrumentation and measurements, digital signal processing, musical acoustics, and music technology. He is the author of many articles, reports and patents included in international academic indexes. Tutor and graduate professor in Engineering and Music, initiator of the areas of Instrumentation and Musical Technology.

Sam Gershman received his B.A. in Neuroscience and Behavior from Columbia University in 2007 and Ph.D. in Psychology and Neuroscience from Princeton University in 2013, where he worked with Ken Norman and Yael Niv. From 2013-2015 Gershman was a postdoctoral fellow in the Department of Brain and Cognitive Sciences at MIT, working with Josh Tenenbaum and Nancy Kanwisher. He currently is an Associate Professor in the Department of Psychology and Center for Brain Science at Harvard. His research focuses on computational cognitive neuroscience approaches to learning, memory and decision making. 

Sally Martin Katz is Curatorial Assistant of Photography at SFMOMA and Ph.D. candidate in Art History, focusing on History of Photography, at the Université Paris I Panthéon-Sorbonne. Before moving to the Bay Area, she lived in Paris, where she completed a Master of Arts degree in Art History as well as a Master of Fine Arts degree in Photography, both from the Sorbonne. While living in Paris, she served as assistant to the director and the head of exhibitions & communications at the Foundation Henri Cartier-Bresson and worked on the photographic archive of the Greek, Roman & Etruscan Antiquities Department at the Musée du Louvre.

Recently retired after 25 years as Head of Drew School in San Francisco and 20 prior years as an English teacher and administrator at Tabor Academy (MA) and Lick-Wilmerding (CA).  A former member of the Executive Committee the California Association of Independent Schools. AB, MALS Dartmouth College. Sam is currently a Dartmouth class officer for ‘71. He has served as a trustee on three independent schools’ boards and for the Teach With Africa organization. He reads avidly, rides a Bianchi and journals daily.

For the past several years Paul Roossin has been the principal technologist for two medical company start-ups whose suite of products leverage modern Artificial Intelligence techniques to automate diagnostic and therapeutic processes. Prior to this work, Paul was the Science Director of Nanotronics Imaging, Inc., a New York-based microscopy, computer vision, AI, and robotics company that designs and delivers automated inspection and analysis solutions to the semiconductor, pharmaceutical, and materials industries. Paul trained as a neurobiologist at The Rockefeller University where he performed pioneering investigations into the neural substrates of memory consolidation and recall. His interest in artificial intelligence led him to join IBM’s TJ Watson Research Center, where he and his team created the world’s most accurate machine translation system, first used for translating French texts into English. The statistical and information theoretical techniques they pioneered have become the basis for the methods used by all modern translation software. At IBM Research he also designed, produced, and marketed MedSpeak Radiology, the world’s first commercially available continuous speech, large vocabulary speech recognition system. This system and its progeny are currently used to automatically transcribe nearly all radiology reports in the US. As an entrepreneur, he and two colleagues founded ConsumerSearch.com, a consumer product meta-review website; it grew to be one of the largest shopping sites on the web and was sold to The New York Times Digital in 2007. Other prior experience includes CTO positions at the technology startups Tribeca Software and Revonet, Inc., and he was a founder and general manager of Blueshift Ventures, LLC, an early-stage life sciences and technology venture capital firm based in New York City. He is also the founder and CEO of Mental Machinery, Inc., a science and technology consulting firm.

A member of the New York Academy of Science and the Society of Sigma Xi, Paul’s active interests include medical and science policy, the development and use of artificial intelligence technologies, and educational outreach. He was featured as one of the 100 smartest individuals in the New York City area in a New York Magazine cover story. Paul received a B.A. cum laude from New York University in biology and computer science and from 1980 to 1985 was a Ph.D. Fellow at both The Rockefeller University and the Courant Institute of Mathematics.

David Bianciardi is founder and principal of AV&C, an experience design studio creating digital landmarks in the physical world.

David started his career as a composer and sound designer, using software and technology to make things “talk to each other” to create designed experiences. Today, his transdisciplinary team of artists, designers, technologists, engineers, developers and producers create responsive and expressive media installations in the built environment that foster relationships between storyteller, place and audience.