Embark on the story of Mercedes Viñales, the grandmother of artist Flako Jimenez, whose immigration journey to America and descent into dementia presents a powerful story of caregiving, love, loss, and resilience.

This immersive experience––one part of an expansive multi-format work––draws viewers into a poetic, visually stunning re-creation of Mercedes’ Bushwick home. Mercedes Pt. 1 unlocks the home to amplify community outreach, spreads the word about mental healthcare resources for those struggling with similar circumstances, and captivates all audiences with a poignant story of matriarchal influence and multigenerational care. Mercedes is a multidisciplinary Documentary, Gallery, and Healing Room installation.

After immigrating to America as a kid, Flako was raised by his grandmother in Bushwick, Brooklyn. As an adult, he served as her main caregiver as she battled dementia. In the process of taking care of his “mama,” he uncovered years of letters, receipts, and papers that documented her impact on the Latine community. Mercedes explores our relationship to the matriarchy and our ancestors, familial bonds and inherited trauma, and how our own identity can impact our mental health.

Co-commissioned by BAM (Brooklyn Academy of Music); Oye Group, Media Art Xploration (MAXlive), Musical Theater Factory, With development support by Material For The Arts, Dementia Spring, Princeton Lewis Center for the Arts, Guggenheim foundation and Abrons Art Center

Media Art Xploration (MAXlive) is a NYC-based non-profit production company that was founded in 2018 by Founding Director Kay Matschullat to support the development, production, and presentation of compelling and artistically sophisticated new work that brings important questions surrounding scientific research and emerging technology to the public in an accessible format. As accelerating climate change, technologies such as artificial intelligence chatbots and AI surveillance, and new research into animal intelligence and perception call into question our role as humans, we believe that it is imperative that artists working in live performance and immersive installation are given adequate resources to explore these developments.

From a science communication standpoint, we believe that works experienced live have a unique ability to catalyze deep emotional transformation and intellectual consideration. MAXlive aims to bring both arts and science audiences together and strengthen the production capacity of the greater arts ecosystem by providing substantive production support to artists both familiar and new to engaging with science and emerging technologies. In addition to supporting new commissions, we also produce a biennial live performance festival, MAXlive, featuring new works by choreographers, playwrights, composers, and technologists that grapple with the most pressing issues of our time; host a live conversation series MAXforum where artists and scientists share their processes with the public; and run a open call performance laboratory where works are incubated and developed.